Photography INGRID RENAN
When Jay Mohr first heard Logan Lynn's ADIEU. LP a few years back, the actor/comedian was immediately struck by a line in the song "Break Me Down"—one that lingers long after it fades to black.
"'Love me and I'll kill it with you in time' hit me between the eyes," Mohr explained in an interview earlier this year. "I thought, 'There! There's the real guy!'"
And by that, he meant the melancholy Lynn had yet to fully embrace in his time as a musician. Inspired by Mohr's honest feedback, the singer/multi-medium artist decided to write his next record on a Steinway piano at home and tap Mohr as its co-producer. While everything was eventually fleshed out at Portland's Hallowed Halls studio with the help of a T-Pain-approved pianist (GLASYS) and a couple seasoned engineers (Justin Phelps, Mike Blackburn), Lynn never wavered from recording his most intimate work yet.
When Jay Mohr first heard Logan Lynn's ADIEU. LP a few years back, the actor/comedian was immediately struck by a line in the song "Break Me Down"—one that lingers long after it fades to black.
"'Love me and I'll kill it with you in time' hit me between the eyes," Mohr explained in an interview earlier this year. "I thought, 'There! There's the real guy!'"
And by that, he meant the melancholy Lynn had yet to fully embrace in his time as a musician. Inspired by Mohr's honest feedback, the singer/multi-medium artist decided to write his next record on a Steinway piano at home and tap Mohr as its co-producer. While everything was eventually fleshed out at Portland's Hallowed Halls studio with the help of a T-Pain-approved pianist (GLASYS) and a couple seasoned engineers (Justin Phelps, Mike Blackburn), Lynn never wavered from recording his most intimate work yet.