Words VITOR SCHIETTI
Cosmo Sheldrake claims he wrote his long-overdue debut LP (The Much Much How How & I) while under the influence of Flying Lotus, Tom Ze, Moondog, and Stravinsky. Quite the combo, really: a Mount Rushmore of mad geniuses most young musicians would fall well short of climbing. And yet the singer/multi-instrumentalist manages to far exceed our expectations with his widescreen pop music. Co-produced and mixed by the king of cutting-edge electronica (Matthew Herbert), it's a Broadway musical waiting to happen, fusing robust field recordings with unidentified flying orchestras.
At least that's what we think we're hearing. As you're about to see in the exclusive video for "Pliocene," nothing is quite what it seems in Sheldrake's own self-made sound world.
Cosmo Sheldrake claims he wrote his long-overdue debut LP (The Much Much How How & I) while under the influence of Flying Lotus, Tom Ze, Moondog, and Stravinsky. Quite the combo, really: a Mount Rushmore of mad geniuses most young musicians would fall well short of climbing. And yet the singer/multi-instrumentalist manages to far exceed our expectations with his widescreen pop music. Co-produced and mixed by the king of cutting-edge electronica (Matthew Herbert), it's a Broadway musical waiting to happen, fusing robust field recordings with unidentified flying orchestras.
At least that's what we think we're hearing. As you're about to see in the exclusive video for "Pliocene," nothing is quite what it seems in Sheldrake's own self-made sound world.